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supported by 10 fans who also own “Floodlights”
I was initially drawn toward Vulfpeck's earlier instrumental tracks. This album effectively earned my respect for their vocal works. Listening to "Running Away" and "Baby I Don't Know" is like uncovering buried gems from the 1970's. "Hero Town" sounds like an instrumental outtake from Three Dog Night's "Hard Labor" album with deeper bass, earning my respect for Jack Stratton's mixing skills. I would love to see him do a masterclass for mixing in the Vulf Conservatory.
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supported by 8 fans who also own “Floodlights”
I spent my New Year's hangover listening to "Sky Mall" on repeat, when I discovered my new favorite bass player. "Fugue State" is what you get if the Muscle Shoals musicians took a break to noodle around on Bach and eventually became my wake-up alarm. "First Place" reminds me of that scene in "Clerks" where Randal walks into the adult video store.
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Carla Geneve returns with a record of jittery alt-rock, topped with lyrics that are both wry and introspective.
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Callahan’s latest both comforts and unnerves.
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Notes From The Wonderground
by The Reflection Box
Irish singer-songwriter Sarah E. Cullen bares her heart over pastoral folk arrangements enshrouded in a dream-pop haze.
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supported by 8 fans who also own “Floodlights”
Holy funk and fun; disco ulysses got mad funk, darwin derby got mad fun!
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