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L​.​A. Flame

by Anna Ash

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1.
Earthquake 03:10
I’m losing all my friends to fear and loneliness They all don’t see it yet, a broken heart hurts less than regret You can say it’s all good and done but you’re missing the point and the fun Of feeling strongly, and doing something, of letting love in, and letting it out again I’m losing all my friends to love and happiness They all don’t see it yet, you can’t forget how to take your own breath You can say it won’t happen to me I’m too honest and obsessed with being free But the other morning, the walls were shaking, I didn’t take cover, I just lay there thinking Go on and take me, I got some things done It wasn’t perfect, but at least I’ve been in love
2.
Well I told you I was losing hope and you started crying and shaking and saying no, no You said tell me what you need what can I do, who can I be to keep you afloat When you’re this far in there’s no second guessing I can’t argue myself off of that ledge When I’m going down fast talking like I might not last you said, look at me, look at where we are how’d we make it this far They say it doesn’t help to go get lost and lose yourself in someone else But the older I get the more I question if we’re just a little too afraid of it When you’re this far in there’s no second guessing I can’t argue myself off of that ledge When I’m going down fast talking like I might not last you said, look at me, look at where we are look at me, look at where we are
3.
Apologies 02:55
I’m getting better at not saying sorry and just forgiving myself I’m getting better at calling your bullshit within a reasonable doubt I’m always making these jokes about manners and how lost everyone out here seems to be But honestly I’m the type of woman who profusely apologies when I shouldn’t be. I really try not to think about the years and all the people and the time I wasted on them I really try to think it was all very meaningful and it was just building up to be this really great moment Because there’s so many ways to live and there’s so many reasons to cry And with just a little bit of a privilege, you can start believing your own lies I used to be fine being the only woman in the room But then man, all that noise just starts to get to you. I keep dreaming that someone’s truly trying to kill me And I wake up breathless and terrified to move Just another reason why we keep our loved ones by our side Cause there’s no getting out, there’s only getting through it I’m getting better at walking away and closing the door loudly behind me Cause there’s no trophy at the end of the day for being easy going and charming
4.
Stalemate 02:43
You can write yourself into somebody’s history and claim memory and importance and how it should be You were always kind of useless as a kid and hot damn, looks like we’re growing out of it Think about how awful it once was and you’re still waiting on a declaration to finally wake you up Well don’t you dare ever admit how serious you felt about this You know you give someone a job You give someone a name You give someone something they’re suppose to never be the same You say you don’t ever expect You say it’s easier like that Well if nobody ever throws, what the fuck are you going to catch Catch me baby, one more time as I fall Fall for you One more time as I lose it Cause you’re a damn good view but I’m not throwing down until you We’ll waltz around in place, ignore the obvious stalemate It’s a fairly good case, to say, Well here goes me and there goes you here goes me and there goes you here goes me and there goes you
5.
L.A. Flame 04:07
Keep me as a good memory it’ll keep me from getting old Keep me as your L.A. flame and let me know how that goes Make me close to perfect make you my late night call make it up to me in a year or two see if I still like you at all Man, did my heart get in your way? chorus In your way of being the man you want to be In your way of what you think you really need Cause the cruelest joke is thinking that being alone is going to make you free You can have the whole world handed to you, but it won’t include me Because I’ve been waiting like a summer storm holding my breath too long I’ve been the fool, the bitch, the breaker, and the broken weren’t you going to prove me wrong? Well take it all too personal that’s what it always is don’t blame the time, don’t blame the gig, don’t blame your father, don’t blame the way you’ve always been. Just keep it easy Keep me a memory But, man, did my heart get in your way? chorus
6.
Destroyer 03:37
Don’t make me your life don’t make me your breath don’t give me that power don’t blame me like that Destroy, destroy, destroy, she said well that isn’t our life that’s a book you once read I’m tired of calling this kind of shit out your rich guy guilt and your crippling self-doubt Honey why’d we let it get so bad Honey why’d we let it get so bad Cause I made you my type I made you my dream I saw something I liked I just took it and ran with it Destroy me, destroy me, destroy me, you said well that’s not who I am and that’s not what you get I’m tired of hearing that same apology ‘I’m sorry babe it’s not you, it’s always me’ chorus
7.
When all your wildest dreams start coming true and all your lovers still love you The one who always played it right on the one who always made you feel so young who pulled you out of the car in the pouring rain Cause here you don’t’ know when you’ll ever feel it again You’ll feel that good again, and again feel that good again, and again When all your phone calls start coming back and you quit racing on someone else’s track Even if they all believe in you they’ll always be someone who see’s through where you’ve been, if you could do it all again And feel that good again, you’ll be that good again And again, you’ll feel that good again, and again.
8.
That one time when you had it planned out that one time when your money ran out that one time when you got too strung out and you always, always swear Never again will I wait for someone never again will I be a young one and if hard work is overdone I’ll just say I’m doing this for fun Because I’ve been trying to wake up early I’ve been trying to get to know me I’m getting better but it’s hard to believe I’ll always be a freak but I’m easy to please chorus I just got over my last defeat and it’s some kind of miracle you still believe in me Cause I’m only telling the truth half the time because sadness ain’t for everyone yea they like you more when you lie Don’t you see where the years are going can’t you feel your heartbeat slowing as you watch another life pass you by cause you’re busy showing up to work on-time And you said, well I followed the script I went from A to B and I still feel like shit cause it turns out everybody’s playing by different rules and nobody can break yours except you chorus
9.
Honey it’s not the first time, I let my spirit die It’s a different song, a different view, it’s still not paradise They say what’re you waiting around for, why can’t you fill up your days You know it’s a sign of craziness, doing the same thing and expecting to change chorus Cause I’ve got one more in me There’s no arc to the story Life’s a series of beginnings Living it, requires endings Honey it’s not the last time, I’ll lose my train of thought I’ll forget the words, forget the point, slow down, I’m getting off You can’t go blaming a city, because it doesn’t have a heart City’s they don’t break you, unless you’re playing your part chorus Maybe you’ve seen some sadness, maybe you’ve felt some joy But do you know the fateful difference between wanting and needing more There’s living a life, there’s living a dream, and there’s breathing somewhere in between Go find your god, your faith, your love, something to prop up your self-esteem chorus

credits

released September 20, 2019

All songs written and produced by Anna Ash (BMI)
Mixed by Ryan Freeland
Mastered by Kim Rosen
Engineered by Mark Rains, Anna Ash, and Aaron Stern

Anna Ash: vocals, guitar, Wurlitzer (6), harmonica
Theo Katzman: drums, acoustic guitar (6), vocals (5, 8)
Julian Allen: drums (4, 7)
Aaron Stern: bass
Matthew LaRocca: electric guitar (1, 3, 6)
Jason Abraham Roberts: electric guitar (2, 4, 7)
Brian Whelan: baritone/electric guitar (5/8), Wurlitzer (3), organ
James Cornelison: fender bass VI (5), electric guitar (1, 5, 8)
Laura Mace: vocals (2, 5, 8)
Elizabeth Goodfellow: percussion (5, 8)
Gabe Noel: strings
Lee Pardini: piano, organ
Kat Myers: vocals (4, 9)
Dan Horne: crumar

Photos by Matthew Reamer
Design by Sam Strand

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